Sony XLR-K3M Digital Microphone Adaptor kit

• High Sound Quality with new Digital Audio Interface
• Professional Audio Settings
• Both XLR and TRS jacks available for wider useage
• Extension cable included for use with cage, rig, etc.

A built-in digital audio interface enables high-quality audio recording with professional microphones. This versatile XLR Adaptor Kit supports a wide range of devices.

Digital audio interface for high-quality audio with pro microphones. Multi Interface Shoe connection without power/audio cables, or supplied audio cables can be used for flexible mounting. Vibration-damping mic holder and super-directional shotgun microphone included.

Great sound with low noise

When connected via the Multi Interface Shoe of a compatible camera that features a built-in digital audio interface, the audio signal is directly transferred to the camera in digital form so that no degradation can occur. A simple switch also provides compatibility with a wide range of cameras using an analogue interface.

Versatile connectivity

Two XLR/TRS combo jacks and one 3.5 mm stereo mini microphone jack are provided for input. The XLR/TRS combo jacks are switchable for line input, microphone input, or microphone input with 48V phantom power.

Flexible setup

A high degree of flexibility is provided for use with professional rigs and camera cages. Audio extension cables are supplied, allowing the location of the XLR adaptor on your rig to be adjusted as required.

Cable-free connection

Simply clip the XLR adaptor into the Multi Interface Shoe on a compatible camera for direct power and audio connections without the need for extra cables or batteries. Sony’s Multi Interface Shoe offers intelligent connectivity and control for a variety of accessories, providing maximum flexibility and mobility for α system shooting.

Mechanical noise suppression

An advanced shock and vibration suppressing design effectively minimises low-frequency handling noise which can degrade audio quality. The option for direct on-camera mounting, without additional connecting cables, further reduces the risk of handling noise ruining your audio capture.

Comprehensive control

Comprehensive controllability at the recording stage can greatly facilitate the post processing workflow. Record level (AUTO/MANUAL), record level link (INPUT 1 – INPUT 2), attenuator, and low-cut filter (100/300 Hz) controls are provided.

Super-directional shotgun microphone included

A super-directional monaural microphone (ECM-XM1) with a wind-noise reducing 'Dead Cat' fur-type wind screen is included.